"She knows how awfully kind you've been to me," Owen said. He showed such discomfiture that he really gave away their situation; and Fleda found herself divided between the hope that he would take leave and the wish that he should see the whole of what the occasion might enable her to bring to pass for him. There was a question that this imposed, but Fleda at first found no voice to utter it: it was the thing that, between them, since her arrival, had been so consciously and vividly unsaid. Finally she was able to breathe: "And if she is there—if she's there already?"!

"Well," Fleda replied, "I couldn't stay. I didn't like it. I didn't like it at all—I couldn't bear it," she went on. "In the midst of those trophies of Poynton, living with them, touching them, using them, I felt as if I were backing her up. As I was not a bit of an accomplice, as I hate what she has done, I didn't want to be, even to the extent of the mere look of it—what is it you call such people?—an accessory after the fact." There was something she kept back so rigidly that the joy of uttering the rest was double. She felt the sharpest need of giving him all the other truth. There was a matter as to which she had deceived him, and there was a matter as to which she had deceived Mrs. Gereth, but her lack of pleasure in deception as such came home to her now. She busied herself with the tea and, to extend the occupation, cleared the table still more, spreading out the coarse cups and saucers and the vulgar little plates. She was aware that she produced more confusion than symmetry, but she was also aware that she was violently nervous. Owen tried to help her with something: this made rather for disorder. "My reason for not writing to you," she pursued, "was simply that I was hoping to hear more from Ricks. I've waited from day to day for that." "And you've promised to try: I see. You didn't tell me that, either," Mrs. Gereth added as they went on. "But you're rascal enough for anything!" While Fleda was occupied in thinking in what terms she could explain why she had indeed been rascal enough for the reticence thus denounced, her companion broke out with an inquiry somewhat irrelevant and even in form somewhat profane. "Why the devil, at any rate, doesn't it come off?"

Fleda had remained there, gathering in her purpose. "How little you know him!" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "In my name. I noticed a place at the corner."